Rich by Coin

InfiniteInk has launched on Tezos as a middleware solution aimed at NFT artists who want true contract ownership without enduring the logistical burdens of custom deployment. The platform lets creators mint directly from their wallets to contracts they own, with their work continuing to appear across established marketplaces like Objkt.

The service supports a range of formats, including one-of-ones, editions, open editions, and auctions, and creators can configure allowlists for tiered drops. Unlike traditional minting through shared infrastructure, InfiniteInk emphasizes structural ownership of contracts by the artists themselves, addressing concerns around portability and long-term control should a platform ever change terms or disappear.

Storage is handled via IPFS, offering a balance between flexible hosting and the autonomy of creator-owned contracts. While not fully on-chain like Zerounbound or Bootloader, InfiniteInk provides more independence than typical shared-contract options.

An activity feed highlights platform-wide minting and sales, offering a sense of community activity on Tezos—a contrast to the often flattened views seen on marketplace aggregators. This visibility can be valuable for artists who communicate through their process and seek to observe how collectors respond to new drops.

The platform also supports studio collaboration for technically ambitious projects, allowing artists to work with developers to execute complex drops while retaining full ownership. This optional service sits atop basic access, which remains available to all.

In the broader Tezos ecosystem, InfiniteInk adds another option among permanence-focused on-chain solutions and accessibility-focused shared contracts. For artists comfortable with TEIA or Objkt, the change may be incremental, but for those prioritizing contract ownership and long-term planning, InfiniteInk provides a path that does not require learning Solidity. Ultimately, the decision to switch platforms hinges on how much value artists place on owning the infrastructure where their art resides.